It can be over in 15 minutes. It can last several hours. It can be done with a Wurlitzer – or 20 guitars. Now “In C,” the defining work of minimalist music, has been tackled by Damon Albarn and Africa Express.
Cristóbal Trujillo: My book led me into making recordings that are also movies about the West, grammar, language, colonization, German Idealism, Indo-European, epics, story-telling, and anything else you can imagine. It’s very free-flowing, and there is no rule about who can say what in what voice, so it’s just a journey. . .
Número de palavras por frase é um dos principais responsáveis por definir ritmo e musicalidade de um texto. Veja como diferentes autores equilibram frases em suas obras.
From Sweden with Love: A tone-deaf cop from a musical family works to track down a group of guerilla percussionists whose anarchic public performances are terrorizing the city. The “Doctor Doctor” scene has rightly gone viral.
Se tinha alguma coisa ou alguém que tirava Joaquim Maria do sério, era Carolina. Exigia com tantas demandas que acabara por deixar seu marido alvo na pele, no cabelo, no modo de andar, vestir, o que lhe salvou o estilo de escrever, alvíssimo. . .
A ninha era ceguinha, pequenininha, grandona, Anona, cegona. Cega, Aninha não via, não ia nem vinha, era enxergada, de olhos clarinhos, vivia sentada na porta da cozinha que dava para o quintal, réstias de sol, anoitecia, tecia sem ver, não precisava dos olhos. . .
If you haven’t heard of soundsnap.com, it’s worth a visit. It allows you to browse and download sound effects, and it’s search function is very impressive. They charge for the service (of course), and for a $200 per-year subscription, it’s possible to download an unlimited number of sounds and loops. It seems geared for podcasts, […]
Sousândrade, O Guesa. Canto X: 121-136. Read in Portuguese by Vanessa Bruno.
I just bought a typewriter on eBay. It’s a 1970s Olivetti Lettera 35 with no case, the last metal Lettera they made (Olivetti went to plastic after this). Designed by Mario Bellini, it has a light touch and a sleek look. It needs adjustment, but no major work. . .
We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those […]